Monday, February 17, 2025

Open House: An Interview with Travølta


    Belgium's grindcore, powerviolence, fastcore, hardcore, political punk powerhouse, Travølta, have been taking the piss out of the plutocratic and patriarchal powers that be since 2015. The outspoken leftist band combines all the aforementioned subgenres into some snarky and searing blitz styled attacks that they have funneled into some four split releases and three full-length albums. They have been a staple in both the grind/powerviolence scenes as well as the social activism scenes in Belgium and Europe. 
    In the rising tide of right wing political tyranny, legalized xenophobia, open racial and sexual prejudices and budding fascism coming out of the U.S. right now, the politically critical music from bands like Travølta seems more necessary now than ever. They, and bands like them, put their politics where their mouths are and promote dissent and direct action. Travølta is one of those bands that has that egalitarian moral compass as well as their own satirical voice. I recently had the pleasure of bombarding the band's DM's and getting them to talk with me about what they have been up to lately, their thoughts on grindcore and their plans for the summer. 

How's it going? I hope the new year is going well for you guys. Thank you so much for taking the time to answer a few questions for the Return to the House of Grindcore blog. I'll begin with the obligatory introductory question of who are the current members of Travølta and what do they do in the band? 

    Nico is the singer, he also writes all of our lyrics. Jonas plays guitar. Kevin handles the bass, artwork and recorded/mixed our upcoming stuff. Rik is the one throwing sticks. He also does most of the samples on our records. Nico and Rik are also the guys behind Loner Cult Records so they distribute the Travølta stuff.

How did each of you get into grindcore/powerviolence/punk and how did that lead to the formation of Travølta?

Nico: I got into hardcore/punk when I was 13 or 14 years old. From a time without internet so… It all started with tape trading in school, reading zines and writing letters to bands. After a while I got in contact with a bunch of local bands. When getting in contact with the people from Zero Positives and a bit later with Agathocles, I crawled way deeper into the underground. In 1992 I started my first little distro and a couple of years later I start playing bass in Outrage (political straight-edge hardcore), later on that band evolved into Reller (a grindcore band, the first band I was singing in.) After both bands broke up I ended up playing bass again in Vuur (raging hardcore violence) and KingTerror (fast-core.) Still wanna be singing, but It never happened until the Travølta kids crossed my path. 10 years later I’m still enjoying it so… Later on I’m also involved in a D-beat band called Arrogänt.

Rik: We all started listening to hardcore/punk when being teenagers. After discovering local hardcore bands, I delved into darker bands like Integrity, Damnation AD and Ringworm. All these hardcore/punk bands were gateway bands for even more extreme kinds of music. I guess no one starts with grindcore when being introduced to underground music or guitar oriented music in general?
Jonas was more into metal but couldn’t handle the meaningless lyrics and rock star attitudes of some bands so he got into old school 80’s hardcore (Black Flag and stuff.) He just likes angry fast music and powerviolence seems to fit his needs perfectly. Kevin has a Kill Your Idols tattoo, so I guess that band influenced him way back.
    The formation of the band was with another guitar player. He and the drummer (that’s me) wanted to do a powerviolence/crust band. They contacted Kevin which they already knew for many years and shortly after Nico joined. During the first COVID period, the previous guitar player took a step aside and a few months later Jonas joined the band. We already knew this guy for many years and the fact that he also lived in our area made it even better.
    The COVID period was a time of reflection and adaptation. Because a tree fell on our original rehearsal space, we were forced to rehearse somewhere else. That place got shut down for more than a year so our way of making music totally changed. We constructed blueprints for songs at home and exchanged files through the internet. Afterwards, when it was possible to meet, we started rehearsing those songs and a few jam sessions followed. This is how our previous full length Disco Violence Up Yours! was created.

What genres and what bands played the biggest influence in Travølta's sound and style?
 
Nico: For me I got inspired by bands as: Ripcord, Agathocles, Lärm, Crossed Out, Seein’ Red, Dropdead, Chokehold... I got inspired by a lot of outspoken and political bands. Genres? I always fell in love with the more gritty and extreme kind of our scene. When music becomes happy I’m off, I always look for real anger and passion in music.

Rik: At first we tried to mix crust and powerviolence. We always said Extortion and Disgust were our influences. I’m not really sure you can hear this in our first record but there are some parts more akin to crust or D-beat and some to powerviolence.
    Nowadays we have less crust influences and more fast hardcore parts thrown into our eclectic mix. In Tinnitus We Crust had some old school death metal influences because our previous guitar player was getting more and more into death metal. When he stepped out of the band we wanted to make a return to old school powerviolence. Jonas’ songwriting has a more punky feel to it and you can hear it in our music.


I got into grindcore via leftist punk music. Travølta is a hugely outspoken political band and your lyrics obviously reflect that. How are politics important to the band and how are you using the band as a platform to promote them?
 
Nico: The same here… I grew up in the 90’s, a time when bands where all pretty outspoken. So the thing was that I wanted to join the band, but wanted to do more than just music. Especially ‘cuz no one talked anymore on stage… it all became just a music thing and that frustrated me so… I wanna do it differently. The lyrics are sometimes a bit sarcastic, but still clear enough to point out at things.

Rik: We’re very glad that you are describing us as hugely outspoken. We all have kind of the same views on politics which are pretty leftist. Some people love it but also many people don’t like it when we preach while performing. You know the drill, less talking more music. We want to party and don’t want to listen to your messages.
    We think hardcore/punk and in extent grindcore or powerviolence are intertwined with social messages and social critique, it’s part of the strength of the music. Lyrics from many bands that recorded records twenty years ago are still very relevant today. Personally, I also think that these messages add to the overall “value” of the music. For example, I do love the music created by Cannibal Corpse, but I honestly can’t really stand by the lyrics. I can headbang to it, I can enjoy the songs, but they don’t touch the heart. That’s where hardcore/punk, powerviolence and grindcore (let’s exclude goregrind… haha) come into play. The Smiths wrote a nice lyric about it which is a good comparison to what I’m trying to say: "Hang the blessed DJ, because the music that they constantly play, it says nothing to me about my life."
    For us, the lyrical content is a very important part of the band. On our lyric sheet the lyrics are accompanied by commentary. We always get bummed out when we see a good band, but they don’t say nothing in between songs and just act cool and hip. We really don’t care if you wear sunglasses on stage or if you keep your leather jacket on when the temperature is rising. We care about your integrity and your message, fuck that rock star attitude! Be real, don’t act! Bands like Seein’ Red and Dropdead are good examples of how we like it!

What are some of the band's favorite activist groups in Belgium? Are there any political/human rights organizations that you support and that you think people should know more about?
 
Nico: We already played a bunch of benefits for human and animal rights groups. Going from medical aid for Ukraine war victims, aid for Palestinian refugees, law costs for anarchist prisoners, a dog shelter in Greece, [etc.] In our area you got some interested citizens movements like Hart Boven Hard (an organization that fights against injustice and asocial government laws.) You also have Straatsyndicaat in Antwerp, an organization that fights for a more humane policy for homeless people. You also got some activist and anarchist groups in the bigger cities. I always thought that the personal is also the political, so... I try to join manifestations once in a while... We also adopted our animals from an animal shelter called: Forest & Friends. We put up local shows in our area lately to get something moving in our area, also to get the anarchist/political statement out to a wider audience: I live a vegan lifestyle, etc, etc.

How is the grindcore scene in Belgium? Who and what are some of your favorite Belgium bands or labels?

Nico: Grindcore is always kind of strange in Belgium. People from outside of Belgium always think the scene is big and filled with bands with international fame: Agathocles, Intestinal Disease, [etc.] But the scene is kinda small lately. When we release brutal grind records with our label, we mostly sell ‘em outside our country. But you definitely have to check out the following bands: Parasite Circus, Head Of The Baptist, Verpest, Loathsome, Assur, Days Of Desolation, Monnier

Rik: Well, when Napalm Death plays in Belgium (last time was with Pig Destroyer, Primitive Man and Wormrot) they can fill a venue with a thousand people. When a smaller international band plays on a Monday, you may have 10 people sticking around (or less.) You also have some labels backing up the scene here in Belgium. Loner Cult really does it’s part by releasing many Belgium bands, including grindcore. Other noteworthy labels are: Bringer Of Gore (true underground noisy grind), Halenoise (members of Days Of Desolation), Sick Phoque Records, BCR-30, [etc.]
Some interesting bands (yes, I forgot many bands but I can’t make this an endless answer.):
Verpest: They sound like Mayhem (Deathcrush period) playing grindcore.
Days Of Desolation: Ultra tight, crusty and technical grindcore.
Hetze: Hardcore/punk meets powerviolence.
Assur: If Mortician was created in Belgium, they’d call that band Assur.
Parasite Circus: Heavy hardcore/grind with a very good sound. Sometimes I think it’s Coalesce playing grindcore.
Head Of The Baptist: Crusty metal.
Plague Thirteen: Crust for fans of Tragedy and His Hero Is Gone.
Raw Peace: Crust spicing it up with that Japanese vibe.
Reproach: Trashcore, going wild on the live shows. Imagine Bones Brigade but based in Belgium.
Röt Stëwart: Oldschool hardcore for awesome people made by even more awesome people.
The list is endless: Dögmën, Serial Pissers, On Fire, Burning Kross, xINVICTUSx, xINCLUSIONx, Drudge, Sore, Visions Of War, BezetteStad, Toxic Shock, [etc.]

Songs for the split with We Sleep are starting to come out. How did this pairing come about? When can we expect the upcoming split to be released?
 
    We played Dräschfeschd in Germany (Hamburg), it’s a grindcore/powerviolence festival in a school with only 15 minute sets. The fest is organised by Ralf, the drummer in We Sleep (Nico knows him from his days in Stack.) We got some sleep at his place (pun intended) and the next morning there was this idea of making a split record.
    The record will be released in April on Loner Cult Records, Flower Violence Records, Give Praise Records, Rotten To The Core Records. Global Help Foundation is doing a CD version of it.

This Summer has Travølta embarking on a European tour with Meth Leppard in July. Will you be returning to the Obscene Extreme Music Festival? What are your favorite experiences at Obscene Extreme?

Rik: We’re not playing Obscene Extreme this year, but Meth Leppard are. We’ll be joining them after the weekend for a two week tour across Europe. 
    We played on Obscene Extreme in 2023 and it was a great experience. People seemed to like our music and lyrical content, so we’re very happy about that. Saw many old friends, made some new ones and saw many great bands!
    Nico is going to Obscene Extreme, but the rest can’t make it. Here are his top bands to check out: Lack Of Interest, My Minds Mine, Bas Rotten, I Scream Protest, Eraser, War//Plague, Odio Social and Meth Leppard, of course.

How did a Summer 2025 tour with Australia's Meth Leppard come to fruition?

    We co-released the first 7" of Meth Leppard. On an earlier tour we also played one show together. So I guess it’s helping each other out, pure DIY style!


Strictly speaking grindcore/powerviolence, what bands are you guys currently listening to? What bands or albums would you consider essential listening for fans of the genre? 

Nico: There are some really interesting bands around in the underground lately. I think about bands as Dögmën, Hetze, Raw Peace, Teigne, Crippled Fox, Lady Gaza, LilyxElbe, Possible Damage, Failure, Plague Thirteen, Jodie Faster, So Close, Gummo, Tael, False, LMDA, The Prim, Martø, [etc.]
Check out Skiplife, they always deliver with their old school powerviolence sound, but also check out the [music of] Loner Cult. All these bands deserve a lot more attention and they’re all worthwhile to check out. 
    If you want me to drop some oldies, definitely check out: Neanderthal, Siege, Crossed Out, Avskum, Fuck On The Beach, Deathtoll 80K.

Rik: Some of my favourite powerviolence/grind releases of last year:
Failure: Obstinate
So Close: Painkiller Mentality
Trigger/LilixElbe split 10"
Brodequin: Harbinger Of Woe
Horsebastard: Horsebastard
Archagathus/Assur split
ACXDC: G.O.A.T.
Completed Exposition/Maxxpower split
Tael: Self-titled
Convulsions/Civilian Thrower split
Turtle Rage: Curse Of The Mutants
Final Exit: Born In Hell
Eraser: Harmony Dies

Favourite all-time grindcore/powerviolence records:
Infest: No Man’s Slave
Extortion: Degenerate
Siege: Drop Dead
ACXDC: Self-titled
Fuck On The Beach: Power Violence Forever
Discordance Axis: The Inalienable Dreamless
Napalm Death: From Enslavement To Obliteration
Misery Index: Dissent EP
Antigama: The Insolent
Hellnation: Your Chaos Days Are Numbered
The Locust: New Erections
Unholy Grave: Grind Killers
Agathocles: Theatric Symbolisation Of Life
Wormrot: Dirge
Iron Lung: Sexless // No Sex
Spazz: La Revancha
Nasum: Human 2.0
Psudoku: Deep Space Psudokument
Gadget: The Funeral March

Other than the upcoming We Sleep split and Meth Leppard tour, what's next for Travølta? 

Rik: We’re doing a new live split record with Slutbomb from Cincinnati. We got some recordings from a show and thought they captured our essence quite well. It’s rawer and even sometimes faster than the stuff on our studio records but we liked it.
    We’re also recording music for a new split 7" and have blueprints for another split 12”. Gotta stay busy, haha.

Any last words?

    Thanks for letting us speak up on your blog, keep up the good work. People mostly forget about all the hard work people like you put into this underground scene. We aren’t anything without people who set up gigs, do artwork, do labels, do zines, blogs, etc. It’s because of people like you that the D.I.Y. scene is this fantastic place to be in! Keep up the good work and hopefully we’ll all meet somewhere on the road. Cheers.

    It has been a pleasure. I cannot thank you guys enough! I really appreciate you taking the time to answer all my not-so-inspired and redundant questions. And thank you for all the kind words about the blog. I can't wait to check out the upcoming splits. I'm especially eager to give those new live tracks a listen. 
    As I am stationed stateside, I can't say that I'll catch the band on tour this summer, but European readers be sure to catch Travølta on tour with Meth Leppard. I'd hate to miss those dates if I were you. Once again, thank you so much to Travølta for their words and time.
    For everyone else, you can listen to Travølta and grab some merch on the band's Bandcamp page: https://travoltakvlt.bandcamp.com/ 
Also be sure to follow them on Facebook for news and info: https://www.facebook.com/travoltaviolence/ 
Also check out all the great bands and releases on Loner Cult Records on the label's Bandcamp page: https://lonercult.bandcamp.com/ 

More links to good things: 
Hart Boven Hard (Belgium): https://hartbovenhard.be/
Forrest & Friends (I think this is the correct organization, Belgium): https://forrestandfriends.be/
Doggybag Crew (Belgium/Greece): https://www.doggybagcrew.org/

Monday, February 10, 2025

Split Level Housing: Fading Trails/Järnbörd/Horornisdisphonevalley/Abanglupa - "No Blessing" Four-way Split CD Review


    2024 went out in a pathetic and woeful whimper that waned into a death rattle right before 2025 inevitably took a complete shit. As bleak as 2025 is and as strained as foreign relations are, around this time last year the half Scandinavian, half Asian, cross-continental four-way split CD entitled, No Blessing, released on Esagoya and EveryDayHate Records in late January of 2024. Bands Fading TrailJärnbörd, Horornisdisphonevalley and Abanglupa collaborated on a multinational record that coalesced different cultures under the single banner of stocky grindcore. They say music is one of the true international languages. Let's see if noise not music also applies to that adage. 

 Fading Trail (Finland) 
    Finland's Fading Trail and their winning combination of death metal, sludge, groove metal and grindcore once again grace the pages of Return to the House of Grindcore. We last saw Fading Trail with their Everydayhate Records sponsored review of Count The Days in 2021. The band's evolution from blasting dungeonous death-grind to a more sophisticated blended and blackened death metal is still the standard on No Blessing. Fading Trail aren't all about speed anymore and instead focus on craftsmanship and brutal plowing. 
    Their six contributive tracks are quick tempoed songs of venomous vocals and rich timbred guitar distortion. The guitar riffs writh and contort like a beheaded snake; flashing the dorsal and ventral scales of rhythm and lead guitar. Like the serpentine-esque carcass that swirls through the dirt, the throes of their guitarwork change directions wildly and evasively. That lead guitar trumpets in with sirening cries that add a sense of metallic melody throughout the background of the songs. 
    The songs are masterfully crafted and switch from up-tempo trucking to slow brooding trudges by the use of keenly placed noise interludes or hiccuping drum collapses. This is showcased most blatantly in the track, "The Inevitable." The blast beats are used conservatively and more as embellished flourishes and crescendos.
    Fading Trail have taken their grindcore roots and forged them into exceptionally heavy versions of the metal subgenres. I usually find that bands within said subgenres tend to be tedious and bloated. However, Fading Trail are overly skilled and motivated, making for a thoroughly enjoyable and textured listening experience.  

 Järnbörd (Sweden) 
    It's not that often, or ever, that you hear of a fresh or interesting take on grindcore these days. However, multifaceted Swedish crust-grinders, Järnbörd, are sure going out of their way to make you think otherwise. 2024's No Blessings was my first introduction to the band's quirky concoction of grindcore, crust punk, metal, hardcore and sort of an alternative pop rock. An unorthodox mix that is currently getting their latest 2025 full-length, Filmer För Blinda, plenty of accolades. 
    Right from the start of Järnbörd's first entry, "Skarpt Läge," I could tell that this wasn't your average grindcore band. There was a melodic shallow undertone of what I could only classify as 90's era alternative rock trampled over by an avalanche of thick blasts beats. There's as much catchiness as there is brutality. It sounds like Sex Prisoner blaring over Sonic Youth
    Like their split mates, Fading Trail before them, Järnbörd are utilizing diversity and melody to deepen and enrich their songs. The band's eclecticism is its super power. The genres run the gamut from track to track. For instance, track "Succélunch Med Tjejerna" plays like a heavy guitared hardcore/grind song that concludes with a Twisted Sister-esque, "Burn In Hell," outro. (I am assuming it's unintentional, but I couldn't help but think of Dee Snider riding the hood of that Cadillac in Pee-wee's Big Adventure.) Additionally, "Vi Har Fakta Och Röstar Nej" reminds me of early 2000's Profane Existence Records melodic crust bands like Ballast or Another Oppressive System
    Hopefully I didn't make any of that sound remotely unappetizing, because it is anything but. Järnbörd is all grind and with a healthy dose of punk rock catchiness. Think of bands like Travølta. The guitar and bass are heavy and thick. The vocals are hardcore barks, not too dissimilar to that of Code 13's Felix Havoc. The drumming is fast and tight and the blasts are unremitting once they start. Järnbörd's protean style is a fun and fresh take on the genre. 

 Horornisdisphonevalley (Japan) 
    Horornisdisphonevalley are yet again another returning blog alum, previously seen on the review of Tystnadsallergi—the band's split with SlothPhantomMoth in 2021. As you may recall, Horornisdisphonevalley's noisy and discordant take on melodic grindcore is a manic and multifarious musical tapestry. Parallels between this Japanese, outside-of-the-box, one-man grind project and bands like Gridlink, Mortalized and Psudoku are not uncommon. 
    Horornisdisphonevalley's influences and amalgamated styles aren't so much toggled amongst as they are tangled and trampled. Tracks are scrambles of guitar and drums with seemingly no preconceived framing, just the composer's whim. Songs dip in tempo from blasting grindcore to whirring lulls that leave the listener wondering where things will go next. The drums are breathless tumbles of calamitous snare rolls and blast beats. As you can imagine, the band's guitarwork is a dynamic display of talent and aggression. There is a balance of traditional metal licks, driving grindcore and the melodic undertones. Horornisdisphonevalley are known for their penchant for audio samples and synthesized instrumentations. Track, "無頼男(Bremen)," starts with the former and ends with a zig-zagging electronic noodling that reminds me of some sort of Capcom arcade game or a Castlevania eight-bit digitized tune. The vocals are just as schizophrenic as the rest of the instruments. Long screams and demonic barks ebb and flow over collapsing tempos and virtuoso riffs. 
     Horornisdisphonevalley are less of their harsh noise on No Blessing, but are keeping things lively and unpredictable. The band's speeding aggression and heavy metal technical guitar are generally the orthodoxic norms within the genre, but Horornisdisphonevalley are just weird enough to keep you on your toes. 

 Abanglupa (Philippines) 
    Bookending this four-way quite nicely is Filipino hardcore/grindcore band, Abanglupa. Not unlike their split counterparts, Fading TrailAbanglupa are a heavy, trodding, sludging juggernaut. The band's back catalog—most recently the Perpetual Grip On Power split with Swineslaughter—is keeping more in-line with that hardcore/grindcore dual genre. On that release the band exercises a liberal amount of blast beats and hardcore swings that border on beatdown. Abanglupa's hardcore mid-tempo cudgeling does devolve into sludgy, almost doom style tracks. In regards to No Blessing, that more sludgy hardcore angle seems to be the band's focal on this split. 
      Abanglupa have a rhythmic, highly repetitive style of songwriting. They have a circular pulsing course to them. A maggoty undulation that pushes through the songs. Initial track, "Habitual Fabricator," mixed a quick hardcore tempo with an almost tribal style of drumming. While the general tempo is usually plodding, blast beats are fleeting tags at the end of riffs and aren't as prevalent as in their other releases. The guitar and bass are crushing and crisp. The lead guitar often assumes this sound of an alarm or siren. Again, it's a repetitious groove that creates a sort of revolving syncopation. Vocally, Abanglupa have a raspy, Scandinavian grindcore styled yell. In fact, a lot about Abanglupa's sound has that Northern European polish: the vocals, the sharpness of the distortion, the creaking guitar leads, the high quality of the mix and master, et cetera. 
    Abanglupa's four tracks are almost tailored for this release. The band dish out their looped hardcore with its inflections of grindcore, while also taking their time to keep tempos more subdued. Despite that, Abanglupa have the shortest songs on the split with a majority of them clocking in under a minute.  

    Generally, in keeping with my experiences with split records with more than two bands, they usually have a multitude of bands that I have never heard of; or feature one band that I do recognize paired with others that don't seem to measure up. Yet, either way, lately it seems that I'm being proven wrong, or maybe it's only of late that I'm looking in the right places. Splits like the one between Sidetracked, Fed Ash, Shrivel Up and Ixias in 2022 really started turning my head. 
    Nevertheless, I haven't come across a collective split as well balanced as No Blessing. The split has a nice cohesive through-line of sludge and grind that is refracted differently and distinctively through the prism of each separate band. It's an international effort of entities speaking different languages, yet saying the same thing, if you will. While No Blessing isn't a blast-a-thon styled album, it will definitely sustain the grindcore enthusiasts. 


FFO: Rotten Sound, MortalizedTravølta


Martø Madness: Martø - Self-titled EP Review

     Time in my household has a way of evaporating, much like the heating and air conditioning through the poorly sealed doors and windows. ...